The latest troops to emerge from my painting table is the Austrian Thüngen Regiment, 2 battalions of which served with Prince Eugene of Savoy at Malpalquet (1709). The miniatures are 15mm Dixon
What follows is a step by step progress from painting to wargame table.
I base each figure on a handling base and always undercoat with a matt white spray. This gives more vibrant colours than a black undercoat and allows the translucent properties of acrylic paints to do much of the work, as a thinned down colour is naturally highlighted by the raised parts of the miniature and becomes darker in the folds.
An initial wash of highly thinned down Raw Umber helps to define the detail for painting and avoids any white gaps that might appear later.
This wash is applied with a thick brush and the ‘paint’ is little more than dirty water. This really helps to bring out the detail for easy painting later. I always do this with 6 mil miniatures, and often with 15 mil. When painting 28 mm miniatures I rarely find it necessary.
Tüngen regiment had ‘pearl grey’ coats with blue facings. I will achieve the very light grey with a near black wash. The blue also benefits from this so this is the first colour I paint — deviating from my normal practice of painting from the inside out in which flesh would be the first colour to be painted.
Next step is to apply a very thin wash of Payne’s Grey (which is almost black). This is applied in the same way as the earlier Raw Umber wash.
When dry the coats are a white-grey and the detail is clearly outlined. If you want further perfection you can pick out the highlights with an off-white, using pure white for the officers if you want to give them the look of wearing finer cloth.
I then paint the faces and hands with a basic pale flesh colour. When dry I apply Games Workshop’s Flesh wash which brings out the details and gives the skin a more natural look. The miniature on the right has had the wash, the one on the left not yet.
A tiny dab of brown in the eye sockets, red-brown over the lips, pale pinkish flesh on the cheeks and very pale flesh on the nose, cheek-bones and chin bring the faces to life.
Then it is on to the browns — buff belts, brown cartridge boxes, wood spontoon and flag shafts, dark brown muskets and various shades of brown for the hair.
Gun-metal musket barrels, black shoes and sword scabbards are next, along with silver buttons.
For the tricorns I use a dark grey first then touch up the low-lights with a black ink wash. This
helps to retain a three-dimensional look.
Then comes the part I really do not like — painting the hat lace. Invariably my brush strokes are not perfect and I have to touch up with black in those areas where the white over-spilled. For regiments with yellow hat lace I find it necessary to first do the lace in white and then yellow on top as yellow is not a strong enough colour to go over black. I try to avoid raising regiments with yellow hat lace!
The final step for the figures is another super thinned out wash of Raw Umber.
This further picks out the detail but, perhaps more importantly, gives the figures a realistic patina.
The final step for the unit is the flag. I design this first on my computer, scale it down to a height of 1.7cm for 15mm miniatures and print it out.
I then over-paint it. Why bother? Well a computer printed flag looks like a computer printed flag. Painting it makes it look much more natural and in keeping with the look of the unit.
And here is the finished battalion of the Austrian Thüngen Regiment, ready to move from the painting table to the wargames table